Köroğlu N.O.Köroğlu G.N.Karaman S.2024-07-222024-07-22202327920178http://akademikarsiv.cbu.edu.tr:4000/handle/123456789/11901In Classic Turkish music the lyrics were changed by composers and performers because of different reasons. These changes can be classified in different branches such as social and political adaptation, to achive the compatibility of lyrics and composition, because of forgetting the lyrics during performance and to use the lyrics in different ways. Also the music work being noted by different people at different times, additions and changes on music notes and lyrics, can be shown as an example on changes in lyrics. After the music work has been noted and given it’s last shape the changes done on the lyrics by the performer, can be classified as the last branch. The reason of this research is to identify the changes done on fifteen Turkish classical music work repertory, the lyrics page notes and comperison during performing the work. The information gathered together in this topic is done by documentary review. The changes done on lyrics, in fifteen music work has been scanned in Turkish music printed Antology work, TRT’s page note archive and Alâeddin Yavaşça’s audio/visual recordings and also taken as example as music Works in this research. The result of this research: The changes done on the lyrics by the performer extended the verbal and consignificative meaning of the work, introduction of a word and addition of his/her own commentary also has been detected as a result. © 2023, Tolga Karaca. All rights reserved.TurkishAll Open Access; Bronze Open AccessArticle10.51576/ymd.1228940