Poetry and Architecture: Cultural Patterns in Ottoman Art; [Şiir ve Mimari: Osmanlı Sanatında Kültürel Örüntü]
| dc.contributor.author | Akbulut F.S. | |
| dc.date.accessioned | 2025-04-10T11:02:51Z | |
| dc.date.available | 2025-04-10T11:02:51Z | |
| dc.date.issued | 2024 | |
| dc.description.abstract | This study aims to deepen how special kinds of relations are fictionalised in the common world perspective in classical poetry and architecture considered in the Ottoman arts, with the inspiration of Heidegger, who thought that building and dwelling are basically poetical practises. It is because it was not actually a modern human experience to dwell in the world that Heidegger inhabits in relation, he mentions meaningful poetically. At this stage, it was pointed out in the study that the creations of Ottoman artists could be regarded as the measurement and therefore criticism of each other with an indication of the dialogues within the tradition. The idea that the experiences comprising the existence in the Ottoman episteme are coupled and integrated required the admittance of the existence of a common design thought around these arts. It was also indicated that artistic practises can shape the traditional cultural pattern in the setting of a dialog. In addition, it was emphasised that the relation between poetry and architecture cannot be perceived with modern analysis techniques such as interdisciplinarity by highlighting the unmeritedness of this togetherness. As for its evidence, it was sought in the nazire (simile) traditions in both poetry and architecture. Interaction styles such as “terbi’” (tetralogy) and “tahmis” (quintet) in the close distance “musammats” (a poetry style) between mental construction and physical and linguistic construction were also discussed. It was made clear that techniques such as “terbi’” and “tahmis” both in poetry and architecture when a homology is set make the productions inconstant, turning it into a virtual and dynamic activity field. In this way, the discussion universe of classical poetry and architecture in the Ottoman Empire was investigated with its common bases depending on the ways of sight and the world of mind. © 2024 Istanbul Universitesi. All rights reserved. | |
| dc.identifier.DOI-ID | 10.26650/sty.2024.1417509 | |
| dc.identifier.uri | http://hdl.handle.net/20.500.14701/44305 | |
| dc.publisher | Istanbul Universitesi | |
| dc.title | Poetry and Architecture: Cultural Patterns in Ottoman Art; [Şiir ve Mimari: Osmanlı Sanatında Kültürel Örüntü] | |
| dc.type | Article |